As much as I love Buffy/Angel, that love pales in comparison to Firefly. I have three keys (car, house and mailbox) and two key chains. One I got at a sneak preview of the movie Serenity. (the other you'll find out on Day 11) I was fortunate enough to go to two of the sneak previews. I am a Browncoat through and through. I even dressed up as Inara for one of the previews.
I have written many essays about the television series and the movie. I will be posting some of them here in the next few weeks.
So I give you, the theme to the television series Firefly, written by Joss Whedon and performed by Sonny Rhodes
Lyrics
Take my love, take my land
Take me where I cannot stand
I don't care, I'm still free
You can't take the sky from me
Take me out to the black
Tell them I ain't comin' back
Burn the land and boil the sea
You can't take the sky from me
There's no place I can be
Since I found Serenity
But you can't take the sky from me...
Song
Firefly
Video of opening credits with theme song
Thursday, December 31, 2009
Wednesday, December 30, 2009
Twelve Days of Jeanie Day Five: I've Got a Theory
I have lots of theories. It's one of the most Jeaniest parts of being Jeanie.
While I am still on the topic of friends, I will share how I met my best friends and many of my other net friends.
The site All Things Philosophical About Buffy the Vampire Slayer and Angel the Series has a discussion forum where I used to frequent frequently. It was a great outlet for my essays that went beyond "OMG iz Angel haut." I learned from the people there, both their ideas and their friendships. Best of all, the board made me feel less like a freak and more like the cute little nerd I am.
I am going to be reposting some of my favorite essays. I started with I've Got A Theory from Once More with Feeling. It gives you a good idea of the types of essays I used to write and will write again, once I find a fandom I like.
Lyrics
(Giles)
I've got a theory,
that it's a demon,
a dancing demon,
no,something isn't right there.
(Willow)
I've got a theory,
some kid is dreaming,
and we're all stuck inside his wacky broadway nightmare
(Xander)
I've got a theory we should work this out,
(Willow, Tara, Anya)
its getting eerie whats this cheery singing all about.
(Xander)
It could be witches, some evil witches,
which is ridiculous cause witches they were persecuted, and wicca,
good and loved the earth, and woman power, and i'll be over here.
(Anya)
I've got a theory it could be bunnies!...............
(Tara)
I've got a theo--
(Anya)
Bunnies arent just cute like everybody supposes,
They got them hoppy legs and twitchy little noses,
And whats with all the carrots?
What do they need such good eyesight for anyway?
Bunnies, Bunnies, it must be bunnies!
.... Or maybe midgets?
(Willow)
I've got a theory we should work this fast,
(Willow, Giles)
Because it clearly could get serious before it's past.
(Buffy)
I've got a theory, It doesnt matter.
What can't we face if we're together?
What's in this place that we can't weather?
Apocalypse... we've all been there,
the same old trips, why should we care?
(All)
What cant we do if we get in it?
We'll work it through within a minute,
We have to try, we'll pay the price,
Its do or die,
(Buffy)
Hey i've died twice!
(All)
What can't we face if we're together?
What's in this place that we can't weather?
There's nothing we cant face....
(Anya)
.... except for bunnies
Song
I've Got A Feeling
Video
via videosift.com
For a little humor, the Potter Puppets do I've got a feeling
While I am still on the topic of friends, I will share how I met my best friends and many of my other net friends.
The site All Things Philosophical About Buffy the Vampire Slayer and Angel the Series has a discussion forum where I used to frequent frequently. It was a great outlet for my essays that went beyond "OMG iz Angel haut." I learned from the people there, both their ideas and their friendships. Best of all, the board made me feel less like a freak and more like the cute little nerd I am.
I am going to be reposting some of my favorite essays. I started with I've Got A Theory from Once More with Feeling. It gives you a good idea of the types of essays I used to write and will write again, once I find a fandom I like.
Lyrics
(Giles)
I've got a theory,
that it's a demon,
a dancing demon,
no,something isn't right there.
(Willow)
I've got a theory,
some kid is dreaming,
and we're all stuck inside his wacky broadway nightmare
(Xander)
I've got a theory we should work this out,
(Willow, Tara, Anya)
its getting eerie whats this cheery singing all about.
(Xander)
It could be witches, some evil witches,
which is ridiculous cause witches they were persecuted, and wicca,
good and loved the earth, and woman power, and i'll be over here.
(Anya)
I've got a theory it could be bunnies!...............
(Tara)
I've got a theo--
(Anya)
Bunnies arent just cute like everybody supposes,
They got them hoppy legs and twitchy little noses,
And whats with all the carrots?
What do they need such good eyesight for anyway?
Bunnies, Bunnies, it must be bunnies!
.... Or maybe midgets?
(Willow)
I've got a theory we should work this fast,
(Willow, Giles)
Because it clearly could get serious before it's past.
(Buffy)
I've got a theory, It doesnt matter.
What can't we face if we're together?
What's in this place that we can't weather?
Apocalypse... we've all been there,
the same old trips, why should we care?
(All)
What cant we do if we get in it?
We'll work it through within a minute,
We have to try, we'll pay the price,
Its do or die,
(Buffy)
Hey i've died twice!
(All)
What can't we face if we're together?
What's in this place that we can't weather?
There's nothing we cant face....
(Anya)
.... except for bunnies
Song
I've Got A Feeling
Video
via videosift.com
For a little humor, the Potter Puppets do I've got a feeling
I've Got a Theory
One of the ways I learned to write was analyzing the work of Joss Whedon. I will be moving some of my essays over here in the next few weeks. I start with the song "I've Got A Theory" from his masterpiece (as if every episode wasn't a masterpiece) Once More with Feeling.
This originally appeared on the discussion forum of All Things Philosophical about Buffy the Vampire Slayer and Angel the Series.
I've Got a Theory
I just wanted to share something I noticed. The flow of the song "I've Got a Theory" is probably the best example in the Buffyverse of how Joss views society. Not his perfect society, but the reality of how it is.
It opens with Giles, representing the Patriarchy singing first. His first reaction is what he knows, demons. "That it's a demon." He goes on a bit further, "A dancing demon." To his logical mind that sound ridiculous. Demons don't dance and he dismisses it. The thing to remember is that Giles is right. It is a dancing demon. Giles not only represents the Patriarchy, but someone who is limited/hurt by it This won't be resolved until the finale of the series.
Then we go to Willow, who really doesn't want to sing (at least AH doesn't). Her inclusion is very important. No one else could have said those lines, so poor AH had to sing a bit. The Patriarchy is unable to solve the problem, so what happens? Something that happened in the first season is remembered "some kid is dreamin.'" When we don't know what to do, we often do fall back to the past. Willow's image of herself, which is based on her past, is going to seriously mess her up this season and the next. This too really isn't resolved until the finale of the series.
Next comes Everyman Xander. He is concerned with the practical "we should work this out." That is importantly followed by the trio of Willow/Anya/Tara who are concerned with feelings "It's getting eerie. What's this cheery singing all about." The rhyme scheme paired Giles' patriarchy with Willow's reliance on the past. It also pairs the male Xander with the female trio.
What follows is probably the best statement of what Joss believes and why he is a feminist. Everyman Xander comes after the pairs are set up. There is no rhyming scheme and he is paired with no one really. His first reaction, his gut reaction is "It could be witches. Some evil witches." Joss has been raised in the Patriarchy. No matter how much he carries the banner of Feminism high, his gut reaction is still "It could be witches. Some evil witches." In "Hush" when he needs 2 new characters to be terrified of the Gentlemen, he relies on Tara and Olivia. As much as he hated seeing the blond victim in the alley in horror movies and empowered her, when he needed victims, he turned to two women.
Then Xander sees Tara and Willow's reaction and changes his statement. "Which is ridiculous 'cause witches they were persecuted wicca good and love the earth and women power." Joss' feminism is a corrective measure to counter the Patriarchy that causes him to think "some evil witches." We have seen an evil witch, again in that first season. Witches aren't all wiccan good. Still, Xander feels bad and so now "and I'll be over here." The music drops off after "ridiculous" and comes back after he leaves. Xander has been taken out of the song by trying to correct the Patriarchy's view. Could there be a more succinct statement of the male feminist's dilemma which includes why he is a feminist in the first place?
Then we get Anya. Anya's reason is her biggest fear. She too doesn't rhyme with any one. Our fears separate us. It is simply stated. It sounds completely logical to her. The others look at her weird. To the audience, it is a ridiculous answer, but often our fears are completely rational to us, but to others aren't.
Tara tries to speak. She is almost the last person to give her idea and speaks quietly. She can barely be heard. We don't get to hear her. Before Anya's fear was calmly stated and fit with the melody. Now it overcomes her and Tara doesn't get a chance to be heard. Instead the music changes to a driving rock beat. She tries to rationalize her fear, giving us ridiculous reasons why "Bunnies aren't just cute like everybody supposes." She is incredibly insistent that "Bunnies, bunnies, It must be bunnies," but then the melody returns and she ditches that answer for an equally ridiculous one "Or maybe midgets." Fear tends to be rather irrational and can grip us one minute and cause us to do wild things. Then just as quickly, it leaves. Think of the mob mentality that follows national tragedies. It grips us and then just goes away.
Fear drowned out the feminine represented by Tara and Tara doesn't reassert herself. Earlier we had Xander - male Willow/Tara/Anya - female. The fear of Anya drowned out Tara, so next to sing is poor Willow. She goes over to Giles and opens a book. "we should work this fast." Tara couldn't to that and neither could Anya. Willow is representing the female here and she is trying to work with Giles. When this happens, the next line is a duet between Giles and Willow who are focused on the problem "Because it clearly could get serious before it's passed." They are right.
Then enter in Buffy. The music changes as Buffy rallies the troops. Buffy isn't concerned about the current problem. She is really the everyperson in this song. How many of us try to actually solve problems (I'll give you a hint we live in a REPRESENTATIVE democracy)? They just get solved somehow.
Everyone, but Giles joins in the song. Eventually he does join, but as the descant voice, not singing with the others. The song ends with they can face anything "except for bunnies." Fear is even stronger than together.
That song is more than just exposition to music. The flow of it shows stuff not only about each character and their motivation, but the flow of it from one character to another, shows how Joss sees society, most importantly, his/Xander's view.
This originally appeared on the discussion forum of All Things Philosophical about Buffy the Vampire Slayer and Angel the Series.
I've Got a Theory
I just wanted to share something I noticed. The flow of the song "I've Got a Theory" is probably the best example in the Buffyverse of how Joss views society. Not his perfect society, but the reality of how it is.
It opens with Giles, representing the Patriarchy singing first. His first reaction is what he knows, demons. "That it's a demon." He goes on a bit further, "A dancing demon." To his logical mind that sound ridiculous. Demons don't dance and he dismisses it. The thing to remember is that Giles is right. It is a dancing demon. Giles not only represents the Patriarchy, but someone who is limited/hurt by it This won't be resolved until the finale of the series.
Then we go to Willow, who really doesn't want to sing (at least AH doesn't). Her inclusion is very important. No one else could have said those lines, so poor AH had to sing a bit. The Patriarchy is unable to solve the problem, so what happens? Something that happened in the first season is remembered "some kid is dreamin.'" When we don't know what to do, we often do fall back to the past. Willow's image of herself, which is based on her past, is going to seriously mess her up this season and the next. This too really isn't resolved until the finale of the series.
Next comes Everyman Xander. He is concerned with the practical "we should work this out." That is importantly followed by the trio of Willow/Anya/Tara who are concerned with feelings "It's getting eerie. What's this cheery singing all about." The rhyme scheme paired Giles' patriarchy with Willow's reliance on the past. It also pairs the male Xander with the female trio.
What follows is probably the best statement of what Joss believes and why he is a feminist. Everyman Xander comes after the pairs are set up. There is no rhyming scheme and he is paired with no one really. His first reaction, his gut reaction is "It could be witches. Some evil witches." Joss has been raised in the Patriarchy. No matter how much he carries the banner of Feminism high, his gut reaction is still "It could be witches. Some evil witches." In "Hush" when he needs 2 new characters to be terrified of the Gentlemen, he relies on Tara and Olivia. As much as he hated seeing the blond victim in the alley in horror movies and empowered her, when he needed victims, he turned to two women.
Then Xander sees Tara and Willow's reaction and changes his statement. "Which is ridiculous 'cause witches they were persecuted wicca good and love the earth and women power." Joss' feminism is a corrective measure to counter the Patriarchy that causes him to think "some evil witches." We have seen an evil witch, again in that first season. Witches aren't all wiccan good. Still, Xander feels bad and so now "and I'll be over here." The music drops off after "ridiculous" and comes back after he leaves. Xander has been taken out of the song by trying to correct the Patriarchy's view. Could there be a more succinct statement of the male feminist's dilemma which includes why he is a feminist in the first place?
Then we get Anya. Anya's reason is her biggest fear. She too doesn't rhyme with any one. Our fears separate us. It is simply stated. It sounds completely logical to her. The others look at her weird. To the audience, it is a ridiculous answer, but often our fears are completely rational to us, but to others aren't.
Tara tries to speak. She is almost the last person to give her idea and speaks quietly. She can barely be heard. We don't get to hear her. Before Anya's fear was calmly stated and fit with the melody. Now it overcomes her and Tara doesn't get a chance to be heard. Instead the music changes to a driving rock beat. She tries to rationalize her fear, giving us ridiculous reasons why "Bunnies aren't just cute like everybody supposes." She is incredibly insistent that "Bunnies, bunnies, It must be bunnies," but then the melody returns and she ditches that answer for an equally ridiculous one "Or maybe midgets." Fear tends to be rather irrational and can grip us one minute and cause us to do wild things. Then just as quickly, it leaves. Think of the mob mentality that follows national tragedies. It grips us and then just goes away.
Fear drowned out the feminine represented by Tara and Tara doesn't reassert herself. Earlier we had Xander - male Willow/Tara/Anya - female. The fear of Anya drowned out Tara, so next to sing is poor Willow. She goes over to Giles and opens a book. "we should work this fast." Tara couldn't to that and neither could Anya. Willow is representing the female here and she is trying to work with Giles. When this happens, the next line is a duet between Giles and Willow who are focused on the problem "Because it clearly could get serious before it's passed." They are right.
Then enter in Buffy. The music changes as Buffy rallies the troops. Buffy isn't concerned about the current problem. She is really the everyperson in this song. How many of us try to actually solve problems (I'll give you a hint we live in a REPRESENTATIVE democracy)? They just get solved somehow.
Everyone, but Giles joins in the song. Eventually he does join, but as the descant voice, not singing with the others. The song ends with they can face anything "except for bunnies." Fear is even stronger than together.
That song is more than just exposition to music. The flow of it shows stuff not only about each character and their motivation, but the flow of it from one character to another, shows how Joss sees society, most importantly, his/Xander's view.
Tuesday, December 29, 2009
The Twelve Days of Jeanie Day Four: Everything
Alanis Morissette is one of my favorite artist. I knew I wanted to include her in the 12 Days of Jeanie, but her songs cover so many different facets. Narrowing it down was hard, until I decided I didn't want the angry or hurt Jeanie and I didn't want a love song. Each of her albums corresponds with a different phase of my life. The CD So-Called Chaos came out in 2004. That was a very important year for me, perhaps the most important in my life.
I have the most amazing best friends in the whole world. Not only can't I imagine my life without them, but I wouldn't even have a life without them. They pick up the pieces when I shatter. They remind me I'm more than my problems. They make me laugh when I need to. They are the people I celebrate life with. This song is about them.
Lyrics
I can be an asshole of the grandest kind
I can withhold like it's going out of style
I can be the moodiest baby and you've never met anyone
who is as negative as I am sometimes
I am the wisest woman you've ever met.
I am the kindest soul with whom you've connected.
I have the bravest heart that you've ever seen
And you've never met anyone
Who's as positive as I am sometimes.
You see everything, you see every part
You see all my light and you love my dark
You dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
I blame everyone else, not my own partaking
My passive-aggressiveness can be devastating
I'm terrified and mistrusting
And you've never met anyone as,
As closed down as I am sometimes.
You see everything, you see every part
You see all my light and you love my dark
You dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
What I resist, persists, and speaks louder than I know
What I resist, you love, no matter how low or high I go
I'm the funniest woman you've ever known.
I am the dullest woman you've ever known.
I'm the most gorgeous woman you've ever known
And you've never met anyone as, as everything as I am sometimes.
You see everything, you see every part
You see all my light and you love my dark
You dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
And you're still here
And you're still here...
Music
Everything
Video
And because Alanis live is made of awesome:
I have the most amazing best friends in the whole world. Not only can't I imagine my life without them, but I wouldn't even have a life without them. They pick up the pieces when I shatter. They remind me I'm more than my problems. They make me laugh when I need to. They are the people I celebrate life with. This song is about them.
Lyrics
I can be an asshole of the grandest kind
I can withhold like it's going out of style
I can be the moodiest baby and you've never met anyone
who is as negative as I am sometimes
I am the wisest woman you've ever met.
I am the kindest soul with whom you've connected.
I have the bravest heart that you've ever seen
And you've never met anyone
Who's as positive as I am sometimes.
You see everything, you see every part
You see all my light and you love my dark
You dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
I blame everyone else, not my own partaking
My passive-aggressiveness can be devastating
I'm terrified and mistrusting
And you've never met anyone as,
As closed down as I am sometimes.
You see everything, you see every part
You see all my light and you love my dark
You dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
What I resist, persists, and speaks louder than I know
What I resist, you love, no matter how low or high I go
I'm the funniest woman you've ever known.
I am the dullest woman you've ever known.
I'm the most gorgeous woman you've ever known
And you've never met anyone as, as everything as I am sometimes.
You see everything, you see every part
You see all my light and you love my dark
You dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
And you're still here
And you're still here...
Music
Everything
Video
And because Alanis live is made of awesome:
Monday, December 28, 2009
The Twelve Days of Jeanie Day Three: Never Here Alone
Collective Soul is one of my favorite bands. Besides having the best name in rock and roll, I can't decide on a favorite album, let alone favorite song. They were my children's first rock concert. Younger was so young, Hubby carried her in one of those baby backpacks. Yes, the band is still together, minus Ross Childress on lead guitar. The song I choose is from their 2007 CD Afterword.
I chose this song because the Beatles' "With a Little Help From My Friends" was too obvious. I want to include songs in the 12 Days of Jeanie that not only illustrate me, but expose my friends to songs they may not have heard. This song wasn't even released as a single.
Lyrics
Had a thought but it hurt
So I let it go
I let it go
See I don't need these verses
Laying down their blues on me today
I'm never here alone
I thought I heard some angel say
You'll never be alone
I know I heard my father sing
I'm never here alone
I'm never here alone
Have a scar, yeah a scar
So I let it show
I let it show show
See I don't need tomorrow
Fearing from the pain of yesterday
[chorus]
I'm starting back where love begins
Gonna get me those blue skies
Those blue skies again
[chorus]
Song
Never Here Alone
I chose this song because the Beatles' "With a Little Help From My Friends" was too obvious. I want to include songs in the 12 Days of Jeanie that not only illustrate me, but expose my friends to songs they may not have heard. This song wasn't even released as a single.
Lyrics
Had a thought but it hurt
So I let it go
I let it go
See I don't need these verses
Laying down their blues on me today
I'm never here alone
I thought I heard some angel say
You'll never be alone
I know I heard my father sing
I'm never here alone
I'm never here alone
Have a scar, yeah a scar
So I let it show
I let it show show
See I don't need tomorrow
Fearing from the pain of yesterday
[chorus]
I'm starting back where love begins
Gonna get me those blue skies
Those blue skies again
[chorus]
Song
Never Here Alone
Sunday, December 27, 2009
The Twelve Days of Jeanie Day Two: Intuition
I don't like the Myers-Briggs Type Indicator test. Most of the questions I want to answer "both" or "neither." I tend to test right down the center on all the traits. Someone once called me an introverted extrovert. As I learn to trust myself more, one trait has been increasing--Intuition. It's the only category in the MBTI I test decidedly in one category.
So today, I give you Jewel's "Intuition."
Lyrics
I'm just a simple girl
In a high tech digital world
I really try to understand
All the powers that rule this land
They say Miss J's big butt is boss
Kate Moss can't find a job
In a world of post modern fad
What was good now is bad
It's not hard to understand
Just follow this simple plan
Follow your heart
Your intuition
It will lead you in the right direction
Let go of your mind
Your Intuition
It's easy to find
Just follow your heart baby
You look at me
but you're not quite sure
Am I it or could you get more?
You learn cool from magazines
You learn love from Charlie Sheen
If you want me let me know
I promise I won't say no
[CHORUS REPEAT]
You got something that you want me to sell
Sell your sin. Just cash in.
You got something that you want me to tell
You'll love me. Wait and see.
If you want me
Don't play games
I promise
it won't be in vain
[CHORUS]
music
Intuition
Video
Because Atlantic Records is made of suck, the video can't be embedded. You'll have to check it out here. Believe me, it's worth it.
Because Jewel live is just made of awesome, here's just one of the many clips of this song.
So today, I give you Jewel's "Intuition."
Lyrics
I'm just a simple girl
In a high tech digital world
I really try to understand
All the powers that rule this land
They say Miss J's big butt is boss
Kate Moss can't find a job
In a world of post modern fad
What was good now is bad
It's not hard to understand
Just follow this simple plan
Follow your heart
Your intuition
It will lead you in the right direction
Let go of your mind
Your Intuition
It's easy to find
Just follow your heart baby
You look at me
but you're not quite sure
Am I it or could you get more?
You learn cool from magazines
You learn love from Charlie Sheen
If you want me let me know
I promise I won't say no
[CHORUS REPEAT]
You got something that you want me to sell
Sell your sin. Just cash in.
You got something that you want me to tell
You'll love me. Wait and see.
If you want me
Don't play games
I promise
it won't be in vain
[CHORUS]
music
Intuition
Video
Because Atlantic Records is made of suck, the video can't be embedded. You'll have to check it out here. Believe me, it's worth it.
Because Jewel live is just made of awesome, here's just one of the many clips of this song.
Saturday, December 26, 2009
The Twelve Days of Jeanie: Unwritten
Santa brought Hubby Bose speakers for his computer, which means I get his old ones. I love them. The speakers on the iBook were designed poorly. According to my brother-in-law, the sound engineer who has a page on IMDB (which is wicked), they are too small for bass. Same with ear buds. Not to mention, the speakers are quiet.
Now I can crank them up and hear my music in the shower. Life doesn't get much better than that. In honor of this change in my life, I give you the 12 Days of Jeanie, a new song each day that reveals something about me.
The first choice is easy. Last week, my family was coming home from Christmas shopping and as usual music was a major topic of discussion. The Allman Brother's "Jessica" came on, which was written by Gregg Allman and inspired by his young daughter. It is Younger's theme song. We decided to come up with theme songs for each of us. Younger (who is now 9 whimper), chose Natasha Bedingfield's "Unwritten." My gut reaction was because I have yet to finish my novel. She said it was because of all the writing references. The more I listened to it, the more I realized how perfect this song was for me. Besides, it's an awesome song.
Lyrics
I am unwritten, can't read my mind, I'm undefined
I'm just beginning, the pen's in my hand, ending unplanned
Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you can not find
Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten
I break tradition, sometimes my tries, are outside the lines
We've been conditioned to not make mistakes, but I can't live that way
Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you can not find
Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten
Song: Unwritten
(available for 7 days. If you are reading this after that, let me know and I'll reupload it.)
Video:
and an acoustic version:
Now I can crank them up and hear my music in the shower. Life doesn't get much better than that. In honor of this change in my life, I give you the 12 Days of Jeanie, a new song each day that reveals something about me.
The first choice is easy. Last week, my family was coming home from Christmas shopping and as usual music was a major topic of discussion. The Allman Brother's "Jessica" came on, which was written by Gregg Allman and inspired by his young daughter. It is Younger's theme song. We decided to come up with theme songs for each of us. Younger (who is now 9 whimper), chose Natasha Bedingfield's "Unwritten." My gut reaction was because I have yet to finish my novel. She said it was because of all the writing references. The more I listened to it, the more I realized how perfect this song was for me. Besides, it's an awesome song.
Lyrics
I am unwritten, can't read my mind, I'm undefined
I'm just beginning, the pen's in my hand, ending unplanned
Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you can not find
Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten
I break tradition, sometimes my tries, are outside the lines
We've been conditioned to not make mistakes, but I can't live that way
Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you can not find
Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten
Song: Unwritten
(available for 7 days. If you are reading this after that, let me know and I'll reupload it.)
Video:
and an acoustic version:
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